Mimi Logothetis, Sculptural Porcelain with Graphic Black and White Imagery. Piece Number 1
From the artist, "I work in porcelain, because of its starkness, purity, strength, and translucence, all depending on its manipulation. I use symbolic images and decorate the wet clay with a proprietary printing process with which I assemble and layer in order to create a story, a joke or a surreal visual landscape. The hand-built work is constructed to show the process: seams, glue, rivets, etc. or to resemble paper, speaking to the nature of preciousness and permanence vs. fragility and disposability."
From the artist, "I work in porcelain, because of its starkness, purity, strength, and translucence, all depending on its manipulation. I use symbolic images and decorate the wet clay with a proprietary printing process with which I assemble and layer in order to create a story, a joke or a surreal visual landscape. The hand-built work is constructed to show the process: seams, glue, rivets, etc. or to resemble paper, speaking to the nature of preciousness and permanence vs. fragility and disposability."
From the artist, "I work in porcelain, because of its starkness, purity, strength, and translucence, all depending on its manipulation. I use symbolic images and decorate the wet clay with a proprietary printing process with which I assemble and layer in order to create a story, a joke or a surreal visual landscape. The hand-built work is constructed to show the process: seams, glue, rivets, etc. or to resemble paper, speaking to the nature of preciousness and permanence vs. fragility and disposability."
PM1021
